THE BEST RUSSIAN CONTEMPORARY ARTIST

The Best Russian Contemporary Artists (Art Index) is a list (unranked art rating) of artists from Russia and the Russian abroad, no older than 1960, compiled on the basis of indicators for evaluating achievements, popularity, creative activity of authors (titles, awards of artists, participation in exhibitions, fairs, auctions, mention in art -ratings, the presence of works in museum collections, etc.).

Authors can also be included in the list of the Best contemporary artists according to expert recommendations, which allows the art community to discover new talents.

The Art Index makes every effort to ensure the objectivity of the generated list, however, in any case, the list reflects only the subjective position of the compilers.

The maximum number of names in the List is 500 authors (Top 500). The list is open and up-to-date. The Art Index is considering proposals for the inclusion of authors in the list of The Best Russian Contemporary Artists.

The Art Index is primarily aimed at collectors and all connoisseurs of modern fine art.

The art rating discussion platform Art Index is here: https://t.me/artINDEX_Chat

The Art Index (AIx, The Best Russian Contemporary Artists) is a list (unranked art rating) of artists from Russia and the Russian abroad, no older than 1960, compiled on the basis of indicators for evaluating achievements, popularity, creative activity of authors, and expert recommendations.
It is aimed primarily at collectors and all connoisseurs of contemporary art.

Koshelev Egor

1980

About

Egor Koshelev included in the list of the Best Russian contemporary artists (ARTEEX). Painter from the generation of zero. The paintings use quotes from art history from Renaissance and realism to street art and cinema. In the surrealistic world of the artist, reminiscent of a dream, mythological monsters get along with modern fashion and technology. “The plot in my vast majority of works determines the language. I see myself at the moment as a more “picture-maker” than as a “painter”, more a story-teller than anyone else. But the story that is being conducted, in my works, the narrative that is built up through their sequence, is dictated precisely by the interest in the problems of the development of art and the place of the artist in today's life. It turns out a kind of "art about art", in which there is a place for both a direct "serious" statement, and the grotesque, trolling, and pranking. I use several artistic languages. None is purely filmed. I do not approve of Soviet painting and grass-roots forms of expression, as something already ready for use, unchanged in its characteristics. Although much of my work goes back to these sources. It is quite understandable to the attentive viewer that I contribute a lot of my personal inventions to what can be indiscriminately called “big manners”, “Soviet neoclassical” and “neografititism”, “postgraffitism”. Source: aroundart.ru