THE BEST RUSSIAN CONTEMPORARY ARTIST

The Best Russian Contemporary Artists (Art Index) is a list (unranked art rating) of artists from Russia and the Russian abroad, no older than 1960, compiled on the basis of indicators for evaluating achievements, popularity, creative activity of authors (titles, awards of artists, participation in exhibitions, fairs, auctions, mention in art -ratings, the presence of works in museum collections, etc.).

Authors can also be included in the list of the Best contemporary artists according to expert recommendations, which allows the art community to discover new talents.

The Art Index makes every effort to ensure the objectivity of the generated list, however, in any case, the list reflects only the subjective position of the compilers.

The maximum number of names in the List is 500 authors (Top 500). The list is open and up-to-date. The Art Index is considering proposals for the inclusion of authors in the list of The Best Russian Contemporary Artists.

The Art Index is primarily aimed at collectors and all connoisseurs of modern fine art.

The art rating discussion platform Art Index is here: https://t.me/artINDEX_Chat

The Art Index (AIx, The Best Russian Contemporary Artists) is a list (unranked art rating) of artists from Russia and the Russian abroad, no older than 1960, compiled on the basis of indicators for evaluating achievements, popularity, creative activity of authors, and expert recommendations.
It is aimed primarily at collectors and all connoisseurs of contemporary art.

Potapov Vladimir

1980

About

Vladimir Potapov included in the list of the Best Russian contemporary artists (Art Index). Vladimir Potapov is famous as a painter, and an original painter, inclined to theorizing and curatorial practice. In addition to active exhibition and curatorial activities, Vladimir Potapov is a participant, nominee and laureate of almost all major exhibition contests and awards. His deconstructed paintings, consisting of several picturesque layers, have long ceased to amaze the audience, which is evidence of the formation of a recognizable author's style. “Spatial painting,” as the author himself characterized it, is only one of many experiments in the comprehension of tradition. In the disintegrating paintings of Potapov, an attempt is made to go beyond the limits of the pictorial plane by giving the image volume and depth. To achieve these goals, “non-painted means” are used - an alien visual language - photography, and transparent sheets of plexiglass - instead of canvas. Source: erarta.com